2020 |
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Nocturnal Creatures, Whitechapel Gallery (at the former women’s library) |
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Women to Watch: Paperwork, Sotheby's, London |
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Unbounded, The Eden Project, Cornwall |
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Hospital Rooms. Plymouth College of Art Gallery, and Porthmeor studios |
2019 |
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Dream Libraries, Museum für Gegenwartskunst, Siegen, Germany |
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UnDoing, Castlefield Gallery Manchester |
2018 |
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Structures of meaning | Architectures of Perception, Manarat al Saadiyat, Abu Dhabi |
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Through a Tremulous Prism, Friends with Books, Hamburgerbahnhof, Berlin |
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Wish You Were Here, The Institute Library, New Haven |
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Speech Acts: reflection, imagination, repetition. Manchester Art Gallery |
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Groundwork, Cornwall. The Mother’s Bones – a live performance for the launch weekend |
2017 |
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Sharjah Islamic Art Festival, UEA |
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Transient Space, Parafin, London |
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The Reading Room, Rokeby Gallery, London |
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Ledger Lines: Abigail Reynolds, Sophy Rickett and Michelle Stuart, Kestle Barton, Manaccan, Cornwall |
2016 |
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Inland Art Festival, Redruth |
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West China Biennial, First Edition. Yinchuan, China |
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After Photography, Alain Gutharc, Paris |
2015 |
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Precarious Balance, CoCA, Christchurch, New Zealand |
2014 |
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Select Cuts and Alterations, Foley Gallery, New York |
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Photomatter, Rich Mix, London |
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Memories of Tomorrow, Drake Devonshire, Wellington, Canada |
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Cities and Other Ruins, Sir John Soane’s Museum, London |
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Riff /Rift Baltic 39, Newcastle UK |
2013 |
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The Democracy of Objects, Nettie Horn, London UK |
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Rituals are Tellers of Us, Newlyn Art Gallery, UK |
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Barnraising and Bunkers, g39, Cardiff UK |
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Supernormal Festival, Braziers Park, Oxfordshire UK |
2012 |
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Inshore Fishing: Peter Lanyon And Contemporary Artists, Rokeby Gallery London |
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Dear Aby Warburg, what to do with images?, Museum fur Gegenwartskunst, Siegen, DE |
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The First Cut, Manchester Art Gallery, Manchester; The First Cut, SeaCity Museum, Southampton UK; The First Cut, Djanogly Gallery, Lakeside Arts, Nottingham, UK |
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There was a Country where They were all Thieves, Jeanine Hofland Contemporary, Amsterdam, NL |
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Appropriation I, Fotogalerie Wein, Vienna, AU |
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What is the use of being a boy if you are going to grow up to be a man?, Annie Gentils Gallery, Antwerp, BE |
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Oriel Davies Open, Oriel Davies, Newtown UK |
2011 |
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will be home..., Ambach & Rice, Los Angeles, CA |
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A Dialogue on Landscape, Salisbury Arts Centre |
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At The Edge of Logic, Plataforma Revolver, Lisbon |
2010 |
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Spasticus Artisticus, Ceri Hand, Liverpool UK |
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Second Hand, IMO, Copenhagen |
2009 |
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Unfold Nettie Horn, London UK |
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Pattern Recognition Leicester City Gallery UK |
2008 |
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Jardin d’acclimation, Villa Arson, Nice, France |
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Tatton Park Biennial |
2007 |
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From a Distance Wallspace New York, USA |
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Behemoth Danielle Arnaud London UK |
2006 |
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Day to Day Data, Angel Row Nottingham / Aspex Portsmouth / Danielle Arnaud London |
2005 |
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Offside The Hugh Lane Gallery, Dublin |
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After the Fact, Tullie House, Carlisle, UK |
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City Breaks, Muu Helsinki / Whitechapel Project Space London |
2004 |
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Mind The Gap La Friche de Bel Mai, Marseilles, France |
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Tales of the City The British Council at Arte Fiera Bologna |
2003 |
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New Contemporaries, Manchester and London |